Decay: an aesthetic impasse or an impulse for a new creation?

Decay as a state of nature is inevitable, yet it is something that could be at least postponed: decay in art as the main decadent idea has been on the cultural front row long enough to make certain conclusions about its essential characteristics. Decay as a philosophical issue is much more complex than its natural incarnation: French Symbolists and, later, fin de siècle authors regarded decay as an inseparable part of any type of cultural cognition. Its original interpretations can be found in the ideas of Schopenhauer, Hartmann, Nietzsche, Wagner, Bergson’s intuitivism, modern scientific discoveries and folklore.