Cinema as a whole has historically offered a rich setting for understanding cultural interaction, however it functions within certain political and ideological limits. It offers fascinating source material for an examination of what, in the modern world, we understand as "otherness", the cinematic "Other" being constructed in terms of race, ethnicity, class, religion, gender or sexual orientation. This conference aims to consider film studies from a variety of critical, theoretical, and analytical approaches and to focus on how "self-other" relations are represented.